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Your Body Is a Battleground[note 1] is the second episode of the third season of ABC Family’s Switched at Birth. It was aired on January 20, 2014.

Summary

[2]When her art teacher (guest star Sandra Bernhard) proves to not be easily impressed, Bay is pushed to re-examine her talents. Daphne makes a mistake at the clinic.

Synopsis

Daphne and Toby try to convince Bay to join the newly-formed field hockey team so that they'll have enough players. Bay's confidence in her artistic abilities goes down when her teacher says that her piece on Tank lacks depth and Tank narrowly escapes being kicked out of the class due to not being able to complete his portrait of Bay on the night of the party. John finds out that Kathryn has been hanging out with other people and sneaking off to dance classes, so Kathryn invites her dance friend, Renzo, over for dinner. At the clinic, Daphne and Campbell have to track down a patient after Daphne let him go before properly checking out. She also tries to recruit Sharee to join field hockey after Toby finds out that she's a star athlete. Kathryn is angry at John after he shows signs of being unaccepting towards Renzo and her new hobby. It is clear that she has been unhappy with their marriage recently. Meanwhile, after Emmett catches the Carlton vandal on camera, he suspects that the one who has been targeting the deaf students is none other than one of his deaf friends.

Cast

Main Casts

Guest Casts

Quotes

  • To be added

Featured Music

  • To be added

Trivia

  • This episode is directed by Kathryn Kennish's actress, Lea Thompson.

Gallery

Video Gallery

Navigational

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Episodes
This Is Not a PipeAmerican GothicPortrait of My FatherDance Amongst DaggersDogs Playing PokerThe Persistence of MemoryThe Stag HuntPandora's BoxParadise LostThe HomecomingStarry NightThe TempestSelf-Portrait With Bandaged EarLes Soeurs d'EstréesExpulsion From the Garden of EdenLas Dos FridasProtect Me From What I WantThe Art of PaintingWrite a Lonely SoldierGame OnThe Sleep of Reason Produces MonstersVenus, Cupid, Folly, and TimeThis Is the Color of My DreamsThe IntruderThe Shock of Being SeenTree of ForgivenessThe Declaration of IndependenceWe Are the Kraken of Our Own Sinking ShipsThe TrailStreet Noises Invade the House
The Door to FreedomThe Awakening ConscienceDuel of Two WomenDressing for the CharadeThe Acquired Inability to EscapeHuman/Need/DesireDrive in the KnifeTight Rope WalkerUprisingIntroducing the MiracleMother and Child DividedDistorted HouseThe Good SamaritanHe Did What He WantedEcce MonoThe Physical Impossibility of Death in the Mind of Someone LivingPrudence, Avarice, Lust, Justice, AngerAs The Shadows DeepenWhat Goes Up Must Come DownThe MerrymakersDeparture of Summer
Drowning GirlYour Body Is a BattlegroundFountainIt Hurts to Wait With Love if Love is Somewhere ElseHave You Really the Courage?The ScreamMemory is Your Image of PerfectionDance Me to the End of LoveThe Past (Forgotten-Swallowed)The AmbushLove Seduces Innocence, Pleasure Entraps, and Remorse FollowsLove Among the RuinsLike a Snowball Down a MountainOh, FutureAnd We Bring the LightThe Image DisappearsGirl With Death Mask (She Plays Alone)It Isn't What You ThinkYou Will Not EscapeGirl on the CliffAnd Life Begins Right AwayYuletide Fortune Tellers
And It Cannot Be ChangedBracing The WavesI Lock the Door Upon MyselfWe Were So Close That Nothing Used to Stand Between UsAt First Clear WordBlack and GrayFog and Storm and RainArt Like Love is DedicationThe Player's ChoiceThere is My HeartTo Repel GhostsHow Does a Girl Like You get to be a Girl Like YouBetween Hope and FearWe Mourn, We Weep, We Love AgainInstead of Damning the Darkness, It's Better to Light a Little LanternBorrowing Your Enemy's ArrowsTo the Victor Belong the SpoilsThe Accommodations of DesireA Mad Tea PartyAnd Always Searching for Beauty
The CallThis Has to Do with MeSurpriseRelation of Lines and ColorsOccupy TruthFour Ages in LifeMemory (The Heart)Left in ChargeThe Wolf is WaitingLong Live Love


Title Reference

  1. From the 1989 protest poster, Your Body is a Battleground, by Barbara Kruger.

References

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